He duly leads the way to his rooms, that are cluttered with all kinds of instruments; and shoves a cello off to the side to better display the art. It is a general landscape of ancient Greece, though Delphi, Delos, and Sparta are definitely featured. It is not a masterpiece; Apollo is not the god of paintings, but it is very good. “Here,” he says sheepishly, gesturing to the mural.